Naoko Mabon has been invited to conduct this year’s CLIMAVORE: On Tidal Zones Residency.

✳︎“How can we collaboratively activate the intertidal zones as a forum for critically thinking about and taking actions towards the climate crisis?”

✳︎“How can we approach, understand and share the complex ecology, stories, heritage and challenges around the intertidal zones in an inclusive way?”

As part of the new On Tidal Zones Residency launched by Skye-based ATLAS Arts and CLIMAVORE of Cooking Sections, Oban-based curator Naoko Mabon will explore these questions through a practice-led action research in her own locale during the summer 2021.

Naoko Mabon was commissioned by The Drouth to write a piece on the ongoing project Ilana Halperin: The Rock Cycle (Yamaguchi) in relation to their Neighbouring project (15-18 June 2021 as part of Glasgow International).

My warmest thanks go to: The Drouth, Prof. Johnny Rodger, Ilana Halperin and all our Japanese and Scottish collaborators. To read Naoko’s piece please click here.

Naoko Mabon has contributed a text to the new collection “Felt Events”, which explores the multifaceted conceptual practice of the artist Ilana Halperin. Edited by Dr Catriona McAra, Curator, Historian and Curatorial & Exhibitions Manager at Leeds College of Art.

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国際交流基金サンパウロ日本文化センターの副所長・山雄起さんによる「Kyojitsu-Hiniku − 日本の皮膚と肉体のはざま」展のインタビューが掲載されました。
Entrevista extensiva de Yuki Yama, da Japan Foundation Sao Paulo, sobre o projeto ‘Kyojitsu-Hiniku: Sob A Pele – Sobre A Carne Do Japão’, no ano passado, para os 110 anos de Imigração Japonesa no Brasil.
Extensive interview by Yuki Yama of Japan Foundation Sao Paulo on ‘Kyojitsu-Hiniku: Between the Skin and the Flesh of Japan’ project last year for The 110 Years of Japanese Immigration in Brazil.

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Naoko Mabon (as WAGON) has been invited to a panel discussion ‘Tipping Point’ in Assembly Aberdeen – where will be speaking alongside D2 and Kirsty Russell (as Underpinning) on ‘strategies to further build endurance and stability within Aberdeen’s growing grassroots community’.

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The Curator’s Workshop is a monthly discussion group, run by Glasgow-based curator Francesca Zappia, open to curators, artists, writers, researchers, students and other arts professionals as well as amateurs interested in a critical reflection around curatorial practices (exhibitions, displays, discursive and performative forms, public engagement…) and related theory. The Curator’s Workshop aims to be a platform open to different perspectives of research and will invite a new professional each month to share material and reflections in order to foster new discussions.

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Peacock Associates is Scotland’s first fully-funded Curatorial Fellowship for visual arts.

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Naoko Mabon was commissioned by LUX Scotland to write a piece reflecting on On Sharing, Separations, an evening event between artist Tako Taal and curator Seán Elder. The event was held last November at W OR M of Peacock Visual Arts in Aberdeen, as part of LUX Scotland’s pilot programme of events in Aberdeen, supported by Aberdeen City Council’s Creative Funding Programme.

Thank you LUX Scotland, Tako and Sean for this wonderful opportunity.
To read Naoko’s piece please click here.

Naoko Mabon contributed a writing piece on a Japanese sculptor Bushiro Mohri (1923-2004) for the website of JAPAN Quality magazine.

Warmest thanks go to Akane Nakamori, JAPAN Quality, Asuka Mohri, Masaki Yanagihara, Sachiko Yanagihara, Ryouhei Yanagihara, Coelacanth – Bushiro Mohri Memorial Museum, Concept Space, Satoshi Mouri, and Leslie Mabon.

To read the piece, please click here.

Thanks to the generous support and advice from the Sculptor Yutaka Toyota and Osamu Matsuo of Bunkyo, we just delivered work by Takanori Suga A Blank Sign “Dripping Project in São Paulo” to the Sports Center Kokushikan Daigaku in São Roque of São Paulo. Thank you so much to all the people who gave us warm support and advice towards the production, storage – and future re-installing. We very much look forward to seeing this piece in the near future.

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Mabon will share findings from her recent residency in São Paulo in Guests @ Gray’s, lecture series with invited professionals in art, design and culture at Gray’s School of Art in Aberdeen on 13th October. She will then invite Coordinators of Überbau_house – Jorge Sepúlveda T. (Independent Curator and Critic, from Chile) and Guillermina Bustos (Artist and Independent Researcher, from Argentina) – to talk about their activities as autonomous initiative in Latin American contemporary art field.

Guests @ Gray’s
‘Residency Report: one-month contemporary art research residency at Überbau_house in São Paulo, Brazil’
Friday 13th October 2017, 1-2pm
Gray’s School of Art, Robert Gordon University, Aberdeen
Speaker: Naoko Mabon (guest speakers over Skype: Jorge Sepúlveda T. and Guillermina Bustos of Überbau_house)

Please visit Mabon’s daily photo report during her residency here: one-month-in-sao-paulo.tumblr.com

Naoko Mabon will conduct a one-month research residency at Überbau_house in São Paulo from 31st August to 28th September 2017.

Follow Mabon’s daily photo report here: one-month-in-sao-paulo.tumblr.com

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We are happy to announce that copies of Ilana Halperin’s ‘Geologic Intimacy (Yu no Hana)’ are now stocked at The Fruitmarket Gallery Bookshop in Edinburgh and Aye-Aye Books in CCA, Glasgow.

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A writing piece Leaves Without Routes: 根も葉も無い by Naoko Mabon is included in the latest issue of Cha, the first Hong Kong-based English online literary journal founded in 2007 as part of a programme at Hong Kong Baptist University.

Our warmest thanks go to: everyone at Cha, Tammy Ho, Prof Kyoko Yoshida, Yasunori Kawamatsu, Yuki Okumura, Kaori Yamashita, Nobuyuki Yamamoto, I-Chern Lai, Yu Hua Chen, Keting Kurt Chen, Wei-hsiu Wu, Taipei Botanical Garden, Taiwan Forestry Research Institute, Japan–Taiwan Exchange Association, Prof Kenji Horigome, MISAKO & ROSEN, Dr Leslie Mabon, among others.

Click here to view the text by Naoko.

For more on the exhibition Leaves Without Routes: 根も葉も無い, please click here.

Naoko Mabon is invited to give a talk at Sanki Bunko. She will share her view towards curatorial practices based on her recent, on-going and upcoming international projects.

Sanki Bunko is a private library of more than 20,000 books collected by an art critic/historian Prof Hitoshi Mori. In this beautiful Taisho era Kanazawa Machiya building situated by the Asano River in Kanazawa, artist Akane Nakamori (Suisei-Art) together with Prof Mori is curating a number of international art/cultural programmes.

EVENT DETAILS
Curator’s Talk Vol.1: Naoko Mabon
Sunday 24 April 2016, 3-5pm
Sanki Bunko (5-27, Sakura-machi, Kanazawa 920-0923 Japan)
Free, all welcome
For more information please visit Sanki Bunko website

Naoko Mabon is invited to give a lecture at Guests @ Gray’s, a regular lecture series from invited professionals in art, design and culture at Gray’s School of Art, Aberdeen.

Naoko will share her view and approach to work as an independent curator in Aberdeen, a city to which she is foreign, based on her experience and perspective through her recent, on-going and upcoming curatorial practices in the city, region, nation or beyond.

EVENT DETAILS
Friday 26th February 2016 at 1.00pm
Lecture Theatre SB42
Garthdee House Annexe, Gray’s School of Art, Aberdeen
Open to all
For more information please click here

Naoko Mabon has been invited to contribute to Roger Ackling: Between the Lines, the first comprehensive overview of the work and teaching of the late British artist Roger Ackling (1947–2014). Edited by Emma Kalkhoven, published by Occasional Papers.

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Two solo exhibitions by one of the most celebrated Japanese artists Tatsuo Kawaguchi will be held at Sankibunko in Kanazawa and Coelacanth – Bushiro Mohri Memorial Museum in Toyama in Japan at the same time from 23 Oct – 16 Nov 2015.

To coincide with the showcases, a new Japanese-English bilingual exhibition catalogue will be published – for which Naoko Mabon is a part of the production team as a translator.

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